The Cinema Snob - Season 16 (2022)

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The saw is family, and the Cinema Snob is going back to Texas to revisit of the most messed up families in film history. With talk of a Texas Chainsaw reboot, he looks back at the first of many, MANY reboots disguised as sequels.

Love is in the air, and so is nonsensical horror as the Snob receives a very morbid Valentine's Day gift: a movie about a killer who performs his own Valentine's Day Massacre to those bold enough to celebrate the holiday.

The Cinema Snob reviews this gritty 1983 Charles Bronson cop thriller, from Cannon Films and directed by J. Lee Thompson!

Holy Porn Parody, Batman. With a new Batman flick swinging into theaters, the Cinema Snob delves back into the realm of Batman porn parodies. If you thought Bat Pussy was strange - it is, but this is stranger.

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To celebrate St. Patrick's Day, the Cinema Snob checks out the fifth entry of the Leprechaun series, while not too good, it shows what happens when there's a Lep in the hood.

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Like Wow. The Cinema Snob reviews a quirky 1961 movie about a pair of magic glasses that allows the wearer to see naked girls. How much would you pay?

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With Doctor Strange tangling with Multiverses about to arrive in theaters, the Cinema Snob decides to review something apropos for the occasion: a strange porn parody set in a multiverse of bad acting and lots of sex.

With a new adaptation of Firestarter burning into theaters soon, the Cinema Snob sits back to watch the 1984 adaptation of Stephen King's book about a precocious little firebug.

He's reviewed all the Friday the 13th movies, as well as all the Saturday the 14ths, however there are still plenty of rip-offs of those films for the Snob to review, and this one will have him screaming Bloody Murder.

Easter has come late for the Cinema Snob this year, though it's appropriate because this is one you've been waiting for him to review. What is it about? A giant killer Easter bunny, of course.

This week, the Snob is in a Bind. Charles Bind. He's Number 1, while his movie is Number 2. It's got 'top gun' in the title and the sequel to Top Gun is finally coming out, so - here's a quasi-James Bond Top Gun crossover.

It's Foolish April (in May) as the Cinema Snob finally gets to post his belated review of a horror movie set during April Fool's Day, because EVERY holiday needs a horror movie named after it.

The sequel to 365 Days has been released on Netflix, and given how The Cinema Snob saw the first one, I guess it's time to review the 2nd one.

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The Cinema Snob chronicles the year 1982 in film, commemorating the 40th anniversary of such classics as The Thing, Poltergeist, Rocky III, E.T., and Wrath of Khan to name a few.

The Snob returns from a hiatus and sets out to review Matilda. Not the one about the magic girl, the one about the boxing kangaroo.

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The Snob reviews a shot-on-video movie that is unusually upfront and honest about its content.

The 3rd and final chapter to the 365 Days trilogy is here. How relieved is The Cinema Snob that it's finally over?

Shake your groove thing, baby, because Musical March (in September) 2022 is taking the stage. Our first number is Herman's Hermits' 1968 feature, "Mrs. Brown, You've Got a Beautiful Daughter."

Next up on The Snob's jukebox is a 1965 hit from The Dave Clark Five: Catch Us if You Can. Has this one got what it takes?

The Snob takes a look at the Gerry and the Pacemakers film Ferry Cross the Mersey (1964).

Musical March (in September) has concluded for 2022, and to play us out is Freddie and the Dreamers with their crazy 1967 smash, Cuckoo Patrol.

So, it's October and you want some reviews of scary movies, don't you? Well, fortunately, the Cinema Snob has plenty in store, beginning with a real NASTY one.

The Cinema Snob gets in the Halloween spirit by reviewing the most meta, tone-deaf sequel in the entire Halloween canon. If you never saw the original, don't worry, this one has flashbacks and exposition on it up the wazoo.

Since the Snob has reviewed all 2,000 sequels of the original Hellraiser, it's a no-brainer he'd be checking out the recent gender-swapped remake.

The Cinema Snob travels back in time to 1960, well, in terms of watching movies, to highlight some of the greatest films to the start of that decade. Psycho, Oceans 11, Magnificent Seven, and Spartacus to name a few.

Deck the halls with killer snowmen. The Cinema Snob prepares to celebrate Christmas in the best way he knows: holiday horror.

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