The Beachcombers - Season 2 (1973)

A disagreement about which town gets another fire motor is settled with a pontoon race between a privileged big talker and Relic.

An old flying pal of Nick comes to Gibsons and needs Nick to continue flying once more.

Margaret and her companion are persuaded that the neighborhood city worker is extremely a serial killer.

Nick is stuck underneath a gigantic sign on the shoreline and the young men battle to free him before the rising tide suffocates him.

A logging strike powers Nick and Hugh to pick stones for Relic to make a decent living yet they are unconscious what Relic intends to do with the stones.

Nick gets into a pull of war challenge between the Persephone and another pontoon with the failure compelled to change the name of his vessel.

With Sadie's trap-line reallocated by an amusement superintendent, Nick and the others endeavor to enable Sadie to conform to an existence around the local area yet things don't go well.

Relic is accepted to have suffocated when a forsaken he tries to rescue sinks startlingly.

A cruising mishap brings about Margaret and a companion stranded on a confined shoreline.

An elderly woman blames Jesse for taking her jewels and this prompts a wild pursue looking for the resources.

The landing in Gibsons of a nubile "sort kid" of nineteen wreaks devastation in the Reach when, one by one, Hugh, Dessex, and Nick all surrender to her charms. Did scores and new hard feelings are publicized in the boxing ring.

Nick and Hugh spot one of the furry beasts, and enroll everybody except Jesse, the delighted cynic, to chase it down with Sadie's assistance. While Relic offers "Yeti Tours" to excite looking for visitors, our gutsy seekers litter the shrubbery with pits and catches - and afterward are altogether trapped, got and fixed when the fearsome brute assaults their camp. They rally and run the beast to a precipice, where it makes a shocking jump to the ocean, and escapes - driving Persephone. It is Jesse - in cahoots with Relic all in all trick.

Nick and Co. underbid Relic on a conveyance occupation, and Relic gets even by making them convey the wrong payload - a few hundred pounds of fuxn~ance blocks, which they carefully convey up a few hundred stairs previously the shipper finds their blunder. At that point Relic moves in and embraces to bring the entire load around pulley - yet his building is flawed, and when the blocks go down, Relic flies up. Blocks and Relic wind up in the ocean, to be saved by Nick and the children.

At the point when an insubordinate and misguidedly sentimental Molly tries to abscond with Mcloskey, she is dragged home by the children. There Nick, empowered by the dowager McPhee, subjects the runaway sweethearts to a progression of romance ceremonies, which hose everybody's passion; the bothered lady of the hour jolts from the sacred place. Be that as it may, since the gathering's altogether paid for, Nick demands they hold it at any rate.

The long summer ship line-ups provoke Nick to set up a private administration for well-to-do summer occupants, supported by a considerable woman judge. Snapped links, nausea, a sudden tempest and a sand bar convey the dare to a hapless conclusion; the canal boat loaded with autos is stranded and keeping in mind that Nick conveys his disappointed clients to shore, the Coast Guard, provoked by Relic, spirits away the autos.

Kim is a whithered stray from the ports of the center east, a street_urchin who escapes in Vancouver and flabbergasts Margaret into helping him escape from "the mischievous Captain". Living by their minds in the lanes of Vancouver, they escape the distraught family for a few days; Kim is come back to the "underhanded Captain", who ends up being his granddad. Margaret considers this to be a double-crossing, and is miserable. She is likewise unconscious that Kim has just escaped again and is conning his approach to Gibsons to get up to speed with Nick, "his dad".

Relic's dad, a brutal old Welsh coal excavator, slips on Gibsons unannounced, and embarks to make an achievement of his ne'er-do-well child by assuming control over Molly's Reach and Adonidas and Associates. Ol' Da's corrupt techniques influence Relic to resemble a Boy Scout by examination. At long last, at Relic's incitement, the old man is bested by Nick in a challenge of quality, yet the beating Ol' Da takes moves Relic to an uncommon and liberal demonstration of family unwaveringness.

Mcloskey begins a plague of Bathtub Fever in Gibsons, organizing "mystery Partnerships" with a large portion of the town, and along these lines guaranteeing solid benefits for himself by offering second-hand tubs from his junkyard. At the point when the stratagem is revealed, Mcloskey feigns out of it by organizing an opposition for 'huge prize cash'. Relic incidentally decimates every one of the tubs - no opposition, no prize, and he and Mcloskey split the plunder.

A spirit blending faith in Love funnies triggers Nick to design a sentimental dream about a Vancouver gut artist for Margaret's advantage. Surprisingly and disarray, the children import the tummy artist to Gibsons and a confused Nick is looked with a dream spring up. The artist, who is in on the joke, has a scared Nick nearly at the sacrificial table before she relents making a down and out and appropriately shocking way out for Margaret's advantage.

A winter storm strands Nick and Relic in a disconnected, broken down lodge.